Prosodic grouping in Chinese trisyllabic structures by multiple cues – tone coarticulation, tone sandhi and consonant lenition
نویسندگان
چکیده
Traditionally, the prosodic domain as has been called ‘foot’ in Mandarin Chinese is considered to be derivable from the application of Tone 3 sandhi rule. This study investigated the internal prosodic grouping of Chinese trisyllabic structures by examining multiple cues in parallel – tone coarticulation, tone sandhi application and consonant lenition. Analyses by tone coarticulation and consonant lenition were consistent with each other, both showing a grouping effect between the former two syllables in a trisyllabic structure. This pattern is especially evident on the fast speech rate condition. However, these analyses contradicted the analysis by tone sandhi, in that tone sandhi application indicated a prior grouping effect between the latter two syllables in trisyllabic nominal phrases and verbal phrases. The finding that tone sandhi domain violated the minor rhythmic unit reflected by consonant lenition and tone coarticulation suggested that foot formation and tone sandhi application might not be the same process in Mandarin. It was argued that “foot” was encoded and reflected by rhythmically organized phonetic cues such as pitch and timing, not by tone sandhi.
منابع مشابه
Trisyllabic Tone 3 Sandhi Patterns in Mandarin Produced by Cantonese Speakers
The third tone sandhi in Mandarin is a well-studied rule, where a Tone 3 followed by another Tone 3 is changed as a rising tone, similar to Tone 2. This Tone 3 sandhi rule is straightforward in disyllabic words, which is phonetically driven for the ease of production. In three or more than three syllables with Tone 3, however, the Tone 3 sandhi application is more complicated and involves both ...
متن کاملTone Sandhi and Tonal Coarticulation in Tianjin Chinese
We present in this article an acoustic study on tone sandhi and tonal coarticulation in Tianjin Chinese. Our results indicate that Tianjin tone sandhi is likely influenced by Standard Chinese and is undergoing a number of changes, causing variations and exceptions to the sandhi patterns, and the majority of the sandhis are non-neutralizing, contra traditional descriptions. Tonal coarticulation ...
متن کاملA corpus study of the 3rd tone sandhi in standard Chinese
In Standard Chinese, a Low tone (Tone3) is often realized with a rising F0 contour before another Low tone, known as the 3 tone Sandhi. This study investigates the acoustic characteristics of the 3 tone Sandhi in Standard Chinese using a large telephone conversation speech corpus. Sandhi Rising was found to be different from the underlying Rising tone (Tone2) in bi-syllabic words in two measure...
متن کاملTone Sandhi in Standard Chinese
In Standard Chinese, a Low tone (Tone3) is often realized with a rising F0 contour before another Low tone, known as the 3 tone Sandhi. This study investigates the acoustic characteristics of the 3 tone Sandhi in Standard Chinese using a large telephone conversation speech corpus. Sandhi Rising was found to be different from the underlying Rising tone (Tone2) in bi-syllabic words in two measure...
متن کاملTrisyllabic Tone Sandhi in Tianjin Mandarin
Tianjin Mandarin is known for its complex tone sandhi patterns over bisyllabic constituents and the conflicting directionality as well as the possible iterative application of sandhi rules over trisyllabic constituents. Previous studies on Tianjin tone sandhi, especially those on sandhi in trisyllabic sequences, have been mainly based on impressionistic descriptions. In this paper, we argue tha...
متن کامل